As we started our visual orientation, we got inspiration from the immediate experience dimension that Szarkowski had identified as the quality most central to Japanese photography, of which, in 1974,… Read more
In this issue
Yuji HamadaPrimal Mountain
Takashi HommaTokyo Suburbia
Rinko KawauchiAmetsuchi
Asako NarahashiNU-E
Toshio ShibataContacts
Naoya HatakeyamaWindow of the World and Tobu World Square